HOW TO CHOOSE A MONOLOGUE
FOR ANY AUDITION
A book and a free online class
THE BOOK
Auditioning is about standing out.
Learn to choose the best possible material to show agents, managers, and casting directors; colleges, conservatories, and grad schools; theaters, Equity Principal Auditions (EPAs) and apprenticeships. Includes powerful tools to assess who you as an actor and how to show that actor to the world. Also: how to cut and edit effectively, when and when not to do overdone monologues, and the “Hello, this is me” monologue and why it’s such an incredibly useful monologue for actors to have.
By the end of the intro I wrote in the liner, “Inspiring. I actually want to go digging for new, juicy pieces.” Impossibly thorough and specific. —Franny Silverman, NYC Actor.
A much-needed kick in the butt! This book should be handed to every actor the day they arrive in the city. After years of conservatory education I still found it enlightening and inspiring. The truth never gets old. —Nikki Berger, NYC Actor
$6.99 Ebook instant download
$19.99 Paperback
THE FREE CLASS
Learn how to build your own unique killer monologue repertoire.
I love working with actors live to show specific examples of what works and what doesn’t when it comes to choosing monologues.
In this free live 75-minute online class and performance clinic, I’ll teach you a lot about what to look for and where to look. Along the way, we’ll watch and listen to monologues brought by participants. You can perform or read a monologue for feedback (limited spots) or, you are very welcome to just come and watch.
Join us!
NEXT DATES TBA SOON!